Blood and Oil: The Middle East in World War I Movie Streaming

Şubat 9th, 2010 by trace305672
Blood and Oil: The Middle East in World War I Movie Streaming. Blood and Oil: The Middle East in World War I Movie Streaming.

Movie Title: Blood and Oil: The Middle East in World War I
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Blood and Oil: The Middle East in World War I is available for streaming or downloading.

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If you want to understand what the United States is up against in the Middle East, discover “Blood and Oil.” The important reason U.S. foreign policy since 9/11 has been wholly ineffective is the administration’s ignorance of history and other cultures. The “war on horror” has repeatedly been likened to World War Two and the Frosty War — analogies that don’t gain up. However, the valid antecedents lie in World War One. In the West’s last gasp of colonialism, Britain and France apportioned this dwelling between themselves, creating the artifice we now call the Middle East. Since that time, Arabs (and Persians) have chaffed under this unwanted diagram. Distinguished of the volatility in that state today has grown directly out of the accords made during and immediately after World War One.

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Marty Callaghan is among the first to provide a mighty overdue perspective of the right historical forces we’re dealing with today. “Blood and Oil” is a capable primer on the interactions of the Western powers with the Arabs and Ottoman Turks during the war and the long-term ramifications of these actions. Until American policy makers understand these historical dynamics, we will be doomed to continued inept foreign policy — like going on a roadtrip and using the wicked arrangement.

Other resources I would recommend:

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- PBS’s “The Road to 9/11″: provides an overview of the political forces that have shaped the Middle East during the 20th century

- PBS’s “Lawrence of Arabia: The Battle for the Arab World”: recounts T.E. Lawrence’s work as Britain’s pointman in cultivating Arab support in World War I in exchange for promises of Arab independence

- Jonathan Lewis’ “The First World War — The Complete Series”: superbly made documentary series on all facets of WWI, including one episode on “Jihad”

- World War I: The “Colossal War”: a college-level course taught by Prof Vejas Gabriel Liulevicius, available on DVD through The Teaching Company

“Blood and Oil” reveals the energy politics that guided the dismantling of the Ottoman Empire in the Middle East and Caucasus. The film, perhaps controversially, uncovers how Russia, Stout Britain and France exploited ethnic and religious differences to fuel revolts against the Ottoman Empire, so that the West could dominate definite petroleum-rich areas, from Baku in Azerbaijan to Mosul and Kirkuk in Iraq. One track followed very closely in the film is that of the Russians (from the east) and French (from the south) instigating the Armenian Revolt, 1885-1920, that killed hundreds of thousands of Muslims, mostly Kurds, in eastern Anatolia and the Caucasus, the Ottoman response to which brought bad suffering upon the Armenians. The film also delves into the British-engineered Arab revolts from the Sinai, to Palestine, to Baghdad. “Blood and Oil” draws acute parallels between the British invasion of the Middle East in WWI and the demonstrate US occupation of Iraq, both of which seemed designed to redraw the region’s borders under the guise of self-determination and human rights, but of course in line with energy objectives of the West. The ethnic and religious feuds of one hundred years ago composed haunt the location today, raising the quiz whether the War to Demolish All Wars actually created a peace to slay all peace, as David Fromkin argues in the documentary.
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Stream The Muppet Christmas Carol - Kermit’s 50th Anniversary Edition Movie Online

Şubat 8th, 2010 by trace305672
Stream The Muppet Christmas Carol - Kermit's 50th Anniversary Edition Movie Online. Stream The Muppet Christmas Carol - Kermit’s 50th Anniversary Edition Movie Online.

Movie Title: The Muppet Christmas Carol - Kermit’s 50th Anniversary Edition
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The Muppet Christmas Carol - Kermit’s 50th Anniversary Edition is available for streaming or downloading.

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The five PLUS stars are for the MOVIE, not necessarily this 2005 DVD release . . . . (Now that I have seen the fresh DVD, I give it 3 1/2 or 4 stars. Watch explanation below.)

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In Oct. 2002, Disney Home Video released its first DVD formatted THE MUPPET CHRISTMAS CAROL. The response was both pro and con. The response that was negative dealt with two necessary issues:

(1) That the 2002 DVD was pan-and-scan (AKA “elephantine veil” or “1.33:1″) instead of widescreen, and, in fact, unlike many DVDs, did not even offer the viewer a choice between pan-and-scan and widescreen. For fans of the movie who engage widescreen, this was a huge disappointment!

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(2) That the 2002 DVD for Position 2 and perhaps other regions also removed the “When Treasure Is Gone” song. Disney has not, to my knowledge, offered an explanation for the removal. I would guess that it was because the song is “shaded” and someone at Disney probably decided that such a “dismal” song did not belong on a DVD intended for children.

Thus, that 2002 DVD had TWO strikes against it as far as MUPPET CHRISTMAS CAROL purists were concerned. At the Amazon dwelling for that earlier DVD, you can net more than 130 reviews, many of which recount PROFOUND disappointment about the lack of widescreen and the missing song. (Note: Amazon has accountably merged those 2002 reviews with the 2005 reviews. Fair got toward the demolish of the list to examine the older reviews.)

Fast forward to 2005, fair a couple of months ago. Disney announced a current release of this film–The Muppet Christmas Carol - Kermit’s 50th Anniversary Edition. Keen fans immediately assumed that this would be the long-awaited anamorphic widescreen version. However, various statements and press releases listed the movie as 1.33:1 or, in other words, pan-and-scan. When this was discovered, the fans HOWLED at what seemed like a betrayal and an absence of common-sense by the people at Disney. THEN, within a few days of the official announcement, Disney “back-peddled” and issued a modern announcement that the first one was in error and that the 50th Anniversary version would be in BOTH pan-and-scan and widescreen. The ***SIGH*** of relief was like a wind that rushed across the globe!

But now comes the TRICKY Allotment that tries to acknowledge your specific examine. Some fans who have contacts within the industry or have means of mining the Internet, discovered that the Negate of the pan-and-scan and the widescreen versions that would be on the same disc would be different in that one would have the afore mentioned song and one would not. As mentioned HERE in these reviews for this novel release, apparently the version to enjoy the song is the pan-and-scan version–which, if it’s true–is a totally incomprehensible creative decision. (Why would the the version that was Just to the widescreen format be missing the song, thereby compromising that version? )

Right now, as a GIANT FAN of MUPPET CHRISTMAS CAROL, who has longed for a widescreen DVD since the advent of DVD, I am hoping that there has been some miscommunication going on (for example, survey above at the official aspect ratio listed in the Product Details. On today’s date of Oct. 13, 2005, it’s listed as 1.33:1, so the facts about this release seem to be unfortunately garbled!)

Incidentally, there exists a WIDESCREEN (though obviously not anamorphic) Laserdisc version of the film that INCLUDES the song “When Appreciate Is Gone.” I know because I fill it . . . and it is among my most precious possessions!!

All we can do is wait until November 29 to secure out what this current release will truly occupy. I personally hope there will be an anamorphic widescreen version that also includes “When Esteem Is Gone.”

ADDENDUM: Well, yesterday was November 29, 2005, and I picked up this DVD. There’s superior news, poor news, and some superb advantageous news. The anamorphic widescreen image far exceeds any previous video or DVD version. However, the rumours are Just that the widescreen does NOT include the improbable song “When Worship Is Gone,” and that the fullscreen version DOES include it as “Extended with Deleted Scene.” However, for the diehard, there is this awkward-but-workable compensation: The two versions are on the same side of the DVD, thus when the widescreen version comes to the point when the song should be sung, you can expend your remote to go encourage to the menu, decide fullscreen, go to chapter 5, listen to the song, and then go help to widescreen to thought the rest of this graceful Christmas movie. It is a Ample damage and an unfathomably abominable decision by the suits at Disney!

Since a complete widescreen version obviously does exist in the Disney archives (the Laserdisc version in the mid 90s was both widescreen AND complete), one can only wonder how and why Disney made this very insensitive and unprofessional decision!

Neverthless, FINALLY having MUPPET CHRISTMAS CAROL in anamorphic widescreen is definitely a plus. Being able to explore all the Muppet antics definite to the sides of the cloak is a pure joy, and not being forced to examine tastelessly SQUISHED images is a immense relief! Also, this disk is the best resolution (though not perfect) that has ever been available in any home media format, and the Dolby Digital sound is quite acceptable.

Since this is likely to be the last DVD version of this movie for quite some time, we should (1) continue to ponder Disney’s callous obliviousness and its distinct childish stubbornness to do what’s legal, while (2) counting our blessings that at least we are nonetheless Fragment draw to the ideal MUPPET CHRISTMAS CAROL DVD.

Talk about MIXED emotions! I believe that one quandary is that nobody at Disney is definite that the film is a legal work of art, instead of “honest a movie stamped out for kids.” I mediate nobody there realizes that the film deserves far more respect than the grudging, lackluster, shoddy efforts they have so far foisted on the public. I am very joyful to peer the many astute reviewers for this novel edition over and again execute this point exceedingly positive! THE WORST OF IT IS THAT IT DOESN’T Create ANY SENSE!

BTW, on November 29, 2005, Garan Grey posted a review mentioning several Well-behaved points underscoring Disney’s contaminated decision-making–especially about the lackluster special features, recycled menu construct, and so forth, in what is supposed to be a very special “special edtion”! However, this reviewer says: “By the scheme, it seems that the “widescreen” version is objective matted down from the chubby 35mm 1.33 frame, so the fullscreen version is not missing any of the portray.” In point of fact, ALL pan&scan versions that I have seen (INCLUDING the pan&scan on this very disc) SQUISHES the titles, cuts Muppets off the sides of the movie, and even sometimes squishes scenes so the characters perceive grand and skinny. Which is WHY I have been waiting for the widescreen for years! In general, I’d say that Garan Grey is definitely unsuitable on this point.

Charles Dickens’ classic account “A Christmas Carol” has probably been adapted for stage, conceal, and TV more than any other anecdote in the history of literature. Many have been really titanic — the Mr. Magoo though-provoking version, Patrick Stewart’s one-man stage prove, the George C. Scott version, etc. But one of the best is definitely “The Muppet Christmas Carol,” directed with heart and intelligence by Brian Henson. This version is particularly great because it combines two beloved pop-culture icons: Dickens’ sage and the Jim Henson Muppets.

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It’s been a long time since I read Dickens’ fresh text, but from what I remember, the MCC is quite faithful to Dickens. Like the other Muppet films, MCC combines human actors with the whimsical Muppet characters (fair in case you don’t know what a Muppet is, it’s a sort of puppet) . The colossal Michael Caine plays Scrooge, and the Muppets play other Dickens characters: Kermit the Frog is Bob Cratchit, Miss Piggy is Mrs. Cratchit, etc.

One clever touch is having Charles Dickens (portrayed by Muppet Gonzo the Gargantuan) appear as a narrator in the film. Gonzo/Dickens is accompanied by Rizzo the Rat, and the two have some substantial comical banter and slapstick humor. This blueprint nicely complements the main tale without distracting from it. The film is enhanced by some pretty songs; my celebrated is the one sung by the Ghost of Christmas Show.

Dickens’ current “Carol” is, at its core, a compassionate and life-affirming epic, and the Muppet version is upright on target in preserving the soul of the yarn. There are some genuinely sweet and interesting touches (such as one Muppets’ gift to Scrooge) that combine well with the trademark Muppet humor. Add to this salubrious special effects, magnificent performances (both human and Muppet), and impressive sets and costumes, and you have a accurate classic: a film for every member of the family. In “The Muppet Christmas Carol,” Brian Henson and his Muppets reveal that, with imagination and skill, unique life can be breathed into a approved conventional myth.
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Stream Soul Cinema Double Feature: Cotton Comes to Harlem and Hell up in Harlem Online

Şubat 7th, 2010 by trace305672
Stream Soul Cinema Double Feature: Cotton Comes to Harlem and Hell up in Harlem Online. Stream Soul Cinema Double Feature: Cotton Comes to Harlem and Hell up in Harlem Online.

Movie Title: Soul Cinema Double Feature: Cotton Comes to Harlem and Hell up in Harlem
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Soul Cinema Double Feature: Cotton Comes to Harlem and Hell up in Harlem is available for streaming or downloading.

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“Cotton Comes to Harlem” is a solid, droll, and most of all, frigid movie which was, besides “Shaft” and “Coffy,” to dwelling the trend of the shaded movies of the 70s. Inspect how Godfrey Cambridge and Raymond St. Jacques run and talk, and you’ll know the meaning of “style.”

Based on Chester Himes’s new, the film follows the two super-cool cops who suspect that Rev. O’Malley’s “Succor to Africa” campaign (minimun entry 100 dallors needed) is a fraud to choose money from people living in Harlem. But things pick up complicated when, during the rally, the organization is attacked by masked gangsters who took the money of $87,000, and that was done under the nose of the very cops. Certain to nail the criminal, and possibly the preacher himself, the detective Gravediffer & Coffin originate their investigation, and do it in their absorb fashion.

The film keeps the speedily trudge with a tightly knit web of characters including Reverend’s pretty wife Iris. But most charming section of the film remains the same today: its being amusing and gleaming. In fact, you will observe among violent actions suddenly unexpected humor. The best thing of the film is, in my book, the car hasten scene that include “the cemetary hurry” and “a flying guy.” The film also ends with a showdown in the Apollo Theater (though I don’t know whether the inside scene of it was really shot there) And the genuine Harlem locale of the 70s, which helps to construct the authentic atomospher, would be someday a precious portray of the Fresh York City.

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In short, this is a film Quentin Tarantino with his known flair for characters and sage might have shot 30 years ago. Some section of the film spy, I admit, dated today when you notice women’s parts are slight better than secondary, impartial catering obligatory sex scenes. Smooth, those scenes have been given little touch of humor, that might almost compensate for the lack of the shroud goddess like Pam Grier. Capture this one, along with “Coffy” and “Shaft” and perhaps “Across the 110th Street.” That makes a posthaste course of learning what the blaxploitation films are all about.

Those two main charaters are to reappear in “Arrive Succor Charlston Blues,” which is, unfortunately, not as noble as this one.

Seeing Judy Trail in this movie is worth the designate of admission alone! The movie itself has an racy storyline and it does bounce around a small but is definately captivating. This movie isn’t as cliche as many of the other films in this genre. There are some suitable swagger scenes and it was moving to survey Redd Foxx pre ‘Sanford and Son’. I would contemplate this one of the most necessary movies of the blaxploitation genre.
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Watch Pavement - Slow Century Online

Şubat 3rd, 2010 by trace305672
Watch Pavement - Slow Century Online. Watch Pavement - Slow Century Online.

Movie Title: Pavement - Slow Century
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Pavement - Slow Century is available for streaming or downloading.

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“Wearisome Century” was honest the DVD that I’ve been jonesing for since the apparent kill of Pavement a few years ago. It has all of the elements that maintain in the blanks for someone like myself that has heard but rarely seen the band compose. Disc One has a documentary and all of the videos and alternates from 1989 to 1999. I’d only seen two of their videos to date and I can assure you that Pavement videos reach in three styles. The Touring Video. The Kind of Higher Budgeted Belief Video. And The Zero Budget, Let’s Throw On Some Costumes And Get Like Monkees Sort of Idea Video. I gotta say that I was mesmerized by all of them in one procedure or another. Drummer Steve West is a ride to discover. His beard length and eyewear frequently change throughout the course of this anthology. And is it me, or does he clearly resemble “Revenge Of The Nerds” character, Poindexter, in the “Rattled By The Hasten” video?

The documentary is a no-frills, low-key document of the band’s history. There are a few live versions of songs not featured in the concerts on disc 2, (”Silence Kit” being my well-liked) . It was also nice to glance how all of the members of Pavement fit into the fold. I never realized how powerful Spiral Stairs did in the group. Also, I always view that Bob Nastanovich only did call and response bits (via a performance of “Stereo” on Conan in 1997) . Watching the documentary and concert footage, I now know that he played a moog, a cramped drum kit and other percussion instruments. Toward the extinguish of the doc, eye for Malkmus and the band rehearsing “Discretion Grove” which would ultimately extinguish up on his solo debut.

The concert footage isn’t spectacular, but it does offer a examine of the live experience that many Pavement fans have not had. Though heavy on “Awe Twilight” songs, the concert covers each of the Pavement records.

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Finally, check out the outtakes from the documentary to hear commentary from Thurston Moore and Kim Gordon of Sonic Youth. Gordon’s recollections of Courtney Love’s failed attempts to seduce Malkmus are priceless. Also, there is an easter egg on the main menu for the documentary that leads to some live concert performances of two songs (one including an early, unfinished version of the song that would ultimately become the R.E.M. tribute “Unseen Power of the Picket Fence”.

If you are a Pavement fan, this is a must have.

With rumors of Pavment’s demise spreading like runt pox in the Sudan, lead singer-songwriter-guitarist-fame throwa Stephen Malkmus retreated to the hazy anonymity of Los Angeles for what is now referred to in Pavement lore as “Malkmus’ Lost Weekend”. Thankfully this shadowy period yielded more than a slew of embarrassing incidents (Will Malkmus EVER live down those widely published photos of Harry Nilson carrying the bleary-eyed slacker prince out of the Troubadour after a(-nother) brandy soaked night out? ), highlighted by this audio/visual document of the band circa B.S. 1989-1999. Many Pavement fans mediate this stellar DVD to be the band’s last hurrah, failing to peep the diamonds in the much rough of their Recent Century offerings, most notably the worthy growth of Bob Nastanovich as a songwriter and vocal interpreter.

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Things never were the same after the “Lost Weekend”. The increasingly reclusive Malkmus stopped touring with the band, opting to concentrate on composing and recording while the band was on the road. This evolution in the ways of the Pavement was met with resistance from guitarist and co-founder Spiral Stairs, who deeply resented laying down his rhythm guitar tracks on top of Malkmus’ “ego music” even more than he’d resented those horribly mocking faces SM conventional to originate onstage when Spiral performed the songs he’d penned (”Date with Ikea”, “Kennel District”, etc.) during Pavement’s “Brighten the Corners” and “Fright Twilight” tours. Malkmus, increasingly protective of his recordings to the point of rampant paranioa, wasn’t suffering turncoats, malcontents and/or co-founding members gladly, especially when Stairs objected to releasing these sessions as “Pavement” recordings. “I am Pavement,” he roared aid. When a reveal drenched tape of the encounter found its device onto several of the approved audio file sharing web sites, a Matador Records spokeshuman would claim that the tape was one of the band’s signature media pranks, an ironic reference to the classic fightin’ Gallagher Brothers’ studio outtakes of the mid-90s. The public, barely remembering the Gallaghers and having recently been inundated with reports from the media mind control front that irony was “over”, didn’t purchase it and the breakup rumors swirled like never before.

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Malkmus’ personal nadir would advance shortly thereafter when the band, fearing that their region as “critic’s darlings” would be jeopardized if they abandoned their tried and fair trademark “mid-fi” sound in favor of the radically adventurous unusual direction their daring leader was taking them in, voted to acquire the album away. Surviving only in bootleg create, the unfinished album, which was tenatively titled “There is One I in Pavement”, hints at what a ravishing future it could have been.

The “Dumb Century” offered fans a pleasing snapshot of the Pavement they held stop to their heart, powerful like the Young Elvis ticket of B.S. 1993. The wonderfully off-center videos, the post-zenith-but-still-rockin’ live performances and the endearing drunken commentary track were, in retrospect, icing on a expansive decade of work. Mostly assembled by S.M. in Los Angeles over many painstaking months, he would later refer to the DVD as his “savor letter to the broken-down fans” in an interview from bed, one of his last to date. The title went through many changes, ranging from the banal (”The Pavement Video Collection”) to the ironically self-deprecating (”Video Describe from the Second Tier”) to the bitter (”Clever, Creative Videos Only Sell Records and Garner Airplay for Beck”), before settling on a typically cryptic reference to embattled Silver Jews leader D.C. Berman (who, entering a Dade County courtroom on charges of exposing himself and carrying a live sheep onstage during a concert in B.S. 1999, responded to the scrum of reporters shouting “Did You Do It? ” with the calm unexplained “We are at the dusk of a wearisome century…”) . Unique source for the title indeed, but the Pavement we would care to remember wouldn’t have it any other map. The “Wearisome Century” DVD is principal for those dedicated followers of all things “Westing (by musket and sextant) ” through “Fear Twilight”.
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Şubat 1st, 2010 by trace305672

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Buy Fired! At Amazon!

Ocak 30th, 2010 by trace305672
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Actress/comedienne Annabelle Gurwitch has made a nice itsy-bitsy career for herself from being fired. Unceremoniously dumped from a Woody Allen play for appearing to be “retarded,” Gurwitch has channeled this negative experience into fresh creative processes. “Fired!” is a semi-documentary that is the culmination of this event–a chance for her to expand upon this one incident and to convey universal truths slow the repercussions of being abandoned by your job. In this wildly uneven film, Gurwitch does manage to amuse with stories from the entertainment community. However, when trying to portray to the right world, the results are decidedly mixed.

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First, the worthy. Gurwitch is an engaging personality and an challenging host. Even in forced situations, she’s a likable presence. Gurwitch has many friends in the entertainment community (mostly comedic actors) and their stories provide obliging amusement. She even build together a stage expose where her friends shared their experiences with a live audience. It looks like colossal fun, and if Gurwitch had stayed focused on these elements–”Fired!” might have been a rousing success.

Now, the not-so-good. “Fired!” doesn’t really know what it wants to be. There are quite a few comedy bits inserted into the film that undermine the documentary feel. From the staged recreation of Woody Allen letting her go, to David Cross’ phony advice which leads to a self indulgent skit, to a bizarrely unnecessary romp with Andy Dick serving food–Gurwitch wants to appeal to everyone. That’s attractive, I suppose–but the tone of the portion shifts all over the region. From Dick’s outrageousness in a contrived setup to the jam of the autoworkers facing mass layoffs–that is a tall leap. In the serious bits, Gurwitch does well interviewing professionals about the psychological implications of being let go. One on one, she’s delicate. But other times, she inserts herself into accurate situations that seem atrocious. Attending class to wait on individuals transition into recent professions, her Woody Allen epic seems trite compared to people who might be having sincere problems.

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Overall, “Fired!” is reliable enough. If Gurwitch had dinky her scope to the entertainment industry, she might have crafted an uproarious and fun film. But by venturing into the loyal world, the film falters. It’s aloof watchable–it fair isn’t as enlightening as it seems to assume it is. KGHarris, 04/07.

Fired is droll, exact, unpretencious and spicy as is its star and producer, Annabelle Gurwtich.
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Buy Phantom from 10,000 Leagues/The Beast with a Million Eyes At Amazon!

Ocak 28th, 2010 by trace305672
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Thanks again to MGM and Fox for resurrecting this DVD line. Here we have a couple of extremely rude budget American International Pictures films (assist when they were aloof known as American Releasing Corporation - in fact, I contemplate these were the first two sci-fi/horror films save out by the legendary studio) that go perfectly together. Is either film stout, even grand? Not by a long shot in customary terms, but these should be judged on a different standard than your average A movie. The point is, they’re both a lot of fun in that blueprint only drive-in movies from the era could be, and these two are an inspired pairing, rightly aimed directly at those of us who either saw the movies at drive-ins relieve in the 50s, who (more likely) saw them Saturday creature features matinees on TV, or who have recently discovered the wonders of cheap 1950s dread and science fiction and are rabid for the opportunity to finally notice them. Fox and MGM, expansive work and please preserve these Midnight Movies coming until you’ve exhausted your libraries. Two that you might judge (both available elsewhere on DVD, but they need the quality treatment) : Dementia 13 and The Awe.

Superb prints of two ‘classic’ 50s ‘B’ features. Both have capable B/W photography and haunting scores. The Phantom From 10,000 Leagues - I fancy Kent Taylor’s character’s name ‘Ted Baxter’ (as soon as he introduces himself, you mediate of Ted Knight from The Mary Tyler Moore Prove!) .

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The Beast With A Million Eyes is also very spirited. The ever qualified Paul Birch heads the cast which includes an early performance by a very young Dick Sargent.

Buy this double feature today.
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Ocak 24th, 2010 by trace305672
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Part one of my review(I looked at the moviesin order of the oldest date on the encourage) …..Looked at Young man with a Horn(B&W) …if for anything salvage this movie for the spectacular shots of Original York City….with the (trains running above ground) …but this was my first time seeing this movie & it’s a colossal script…not a substantial fan of Douglas but he was large in this fragment……and Doris can’t do no contaminated in any portion….here she plays a very helpful friend of Douglas & gets to converse about three songs…broad movie & you win Lauren Bacall thrown in as the viper

……then I looked at Lullaby of Broadway.i had seen this before but on my original flat hide TV…it’s so astonishing.appreciate it

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….then i looked at Calamity…I have over the years seen bits & pieces of this movie..I sat & watched it in it’s entierty…..Doris is SO unbelievable in this role

got Appreciate me or leave me in the DVD player now(but have seen this one….it’s one of my current Doris movies

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I lived long enough to examine these movies..I guess i was very young to actually contemplate them in the movie(the earlier ones) …but you glimpse at Doris Day & she’s utterly incredible in her talent.she dances, she sings,she acts……but she can do impartial one of those things and she would be a star..but that dispute of hers is pleasing!!!!!

No star was brighter than Doris Day, and it’s about time that more of her movies were released on DVD! Every movie on this plot is unbelievable and you regain to view that Doris Day can do anything, and do it better than anyone else. Comedy, drama, musical you name it it’s on these movies. I have two wishes, one is that April 26 comes quick, and that more of Doris’s gems will be coming out on DVD, soon!
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South Park - The Complete Third Season Review At Amazon.

Ocak 23rd, 2010 by trace305672
South Park - The Complete Third Season Review At Amazon.. South Park - The Complete Third Season Review At Amazon..

Product: South Park - The Complete Third Season
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The third season of South Park is funnier than ever. This is a review of season three’s episodes and NOT on the DVD box area that has not yet been released.

The season gets 5 Stars over all rating.

Rainforest Shmainforest 5 Stars - This is piece one of an unofficial two parter. Gust narrate Jennifer Aniston. The boys rep sent to Costa Rica (Someone that rated this said Puerto Rico, not a upright fan if he can’t even accumulate the site fair, I’m definite he’ll revise his review when he reads this) by Mr. Mackey to grunt in the kids choir “Getting Delighted with Kids”. The group gets lost in the Rainforest when a reptile eats their guide. Cartman saves the day.

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Spontaneous Combustion 5 Stars - This is fragment two of an unofficial two parter. The mayor wants Stan’s dad to figure out why the citizens of South Park are spontaneously combusting and Stan and Kyle Crucify Cartman so that he can be resurrected. In hopes that Kyle’s dad can find an erection.

The Succubus 4 Stars - The boys become tremulous when chef falls in admire with a demon sent from hell in the shape of a woman. Cartman has all kinds of gawk problems.

Tweek vs. Craig 5 Stars - The boys bet on who would rep in a fight between Tweek and Craig and then instigate the fight.

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Jackovasaurs 4 Stars - The kids gaze an dilapidated run of creatures. However, they are the most annoying creatures ever to exist. Cartman earn “Authority”

Sexual Harassment Panda 4 Stars - A man in a panda suit comes to South Park to exclaim kids about sexual harassment after the town realizes there is a sexual harassment plight in the community.

Cat Orgy 5 Stars - This is section one of an unofficial three parter. Ms. Cartman goes to a Meteor Shower Party at Mr. Mackey’s house. Cartman and Shelly fight with each other while she is baby-sitting him and Shelly’s twenty something year former boyfriend Skyler comes over.

Two Guys Naked in a Hot Tub 5 Stars - This is allotment two of an unofficial three parter. Stan and Kyle’s dad ruin up in a hot tub together naked and they do something in front of each other. Stan is stuck in Mr. Mackey’s basement with Butters, Pip, and Dougie during the Meteor Shower Party. The FBI/ATF thinks it’s a cult party and they try to wreck it up.

Jewbilee 5 Stars - This is piece three of an unofficial three parter. Kyle and Kenny go to a Jewish scout camp. This is the same night as the Meteor Shower.

What makes this an unofficial three fraction series is that all three episodes are on the night of the Meteor Shower, all four boys are in one of the three episodes and the FBI/ATF is seen speeding to Mr. Mackey’s house in all three episodes.

Chinpokomon 5 Stars - Some familiar looking Japanese toys brainwash every kid in America and convince the children to attack Pearl Harbor for Japanese honor.

Starvin Marvin in Location 5 Stars - The Boys support Starvin Marvin when some missionaries invade his country. A Star Wars spoof

Korn’s Groovy Pirate Ghost Mystery 4 Stars - The Band Korn benefit the boys solve a Halloween mystery in this hilarious Scooby-Doo spoof.

Hooked on Monkey Phonics 5 Stars - Two queer, sheltered home-school kids determine to go to South Park Elementary.

The Red Badge of Gayness 5 Stars - Cartman decides to conquer America and change the outcome of the Civil War to get a bet with Stan and Kyle.

Mr. Hankey’s Christmas Classics 5 Stars - a collection of South Park Christmas songs, hosted by none other than Mr. Hankey.

Are you there God? It’s Me, Jesus 5 Stars - Jesus is upset that no one cares about him anymore. Cartman thinks he is having a period because he’s bleeding out of his backside. He rubs it in to the other boys saying that he has hit puberty before them.

World Wide Recorder Concert 5 Stars - The boys reach up with an rotten view to gather revenge on some Unique York kids who made fun of them. The conception involves finding the brown trace, a heed that when played invent you loose control of your BMs.

Not obvious what if any Special Features will be included. I would admire to peruse Parker/Stone Commentaries on at least a few episodes.

This is one of the greatest seasons for south park. You could look these over and over, with out comercials!!!

Rainforest Shmainforest - The boys regain sent to Costa Rica by Mr. Mackey to issue in the kids choir “Getting Gratified with Kids”. While there, the group gets lost in the jungle. Jennifer Aniston is hilarious as the choir teacher-8/10

Spontaneous Combustion - The mayor wants Stan’s dad to figure out why the citizens of South Park are spontaneously combusting. Also, Stan and Kyle tie Cartman to a unfavorable so that he can be ressurected-9/10

The Succubus - The boys become alarmed when chef falls in cherish with a curious woman and gets engaged to her. This is the first appearance of chef’s hilarious parents-10/10

Tweek vs. Craig - The boys bet on who would earn in a fight between Tweek and Craig-9/10

Jackovasaurs - The kids gape an traditional run of creatures. However, they are the most annoying creatures ever to exist-7/10

Sexual Harassment Panda - A man in a panda suit comes to south park to enlighten kids about sexual harassment-9/10

Cat Orgy - Cartman and Shelly fight with each other while she is baby-sitting him-10/10

Two Guys Naked in a Hot Tub - Stan is stuck in Mr. Mackeys basement with Butters, Pip, and Dougie during a party-9/10

Jewbilee - Kyle and Kenny go to a Jewish scout meeting-7/10

Chinpokomon - some familiar looking Japanese toys brainwash every kid in America-9/10

Starvin Marvin in Position - The Boys aid Starvin Marvin when some missionairies invade his country-9/10

Korn’s Groovy Pirate Ghost Mystery - The Band Korn succor the boys solve a Halloween mystery in this hilarious Scooby-Doo spoof-9/10

Hooked on Monkey Phonics - Two odd, sheltered home-school kids determine to go to South Park Elementary-10/10

The Red Badge of Gayness - Cartman decides to conquer America and change the outcome of the Civil War to derive a bet with Stan and Kyle-9/10

Mr. Hankey’s Christmas Classics - a collection of South Park Christmas songs-9/10

Are you there God? It’s Me, Jesus - Jesus is upset that no one cares about him anymore. Cartman thinks he is having a period-9/10

World Wide Recorder Concert - The boys near up with a ridiculous opinion to accept revenge on some Unusual York kids who made fun of them-10/10

All of these episodes are hilarious. You have to assume this.
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Buy Sands of Iwo Jima DVD at Amazon.

Ocak 20th, 2010 by trace305672
Buy Sands of Iwo Jima DVD at Amazon.. Buy Sands of Iwo Jima DVD at Amazon..

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“Sands of Iwo Jima” was the first movie I ever saw in which John Wayne played a character who actually died, which was certainly one of the more plain deaths I can remember ever seeing in a film. Wayne plays Sgt. John Marion Stryker and since Wayne’s precise name was Marion Michael Morrison there seems to be an additional level of identification between actor and character here, while the power of the name “Stryker” is sure. Stryker seems a bully to the green recruits he is training to be U.S. Marines in 1943. When the men of the rifle squad learn that Stryker’s wife had taken their son and left him they reflect they know the reason why the man who was once the epitome of the tough Marine has become such a martinet.

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Of course when Stryker and his men hit the beach at Tarawa and are fighting for their lives against the Japanese troops defending the island, they understand that his hard lessons are the disagreement being life and death in combat. Then comes the last hard nut to crack of the islands occupied by the Japanese, the volcanic island of Iwo Jima. As the officer briefing the troops says, “nobody knows exactly what they’ve got on this island, but they’ve had forty years to place it there.” Director Allan Dwan takes advantage of steady combat footage from the documentaries “With the Marines at Tarawa” and “To the Shores of Iwo Jima” to provide an added dimension of realism to the battle sequences. The reenactment of the flag raising on Iwo Jima interested Rene Gagnon, Ira Hayes, and John Bradley, the only three Marines in the notorious photograph who survived the battle.

Since this is a Hollywood war movie Stryker’s rifle squad consists of not unbiased modern recruits but a few veterans, including Al Thomas (Forrest Tucker), an outmoded enemy who is perfectly willing to awful mouth the sergeant at every opportunity, even after he is taken out slow the tents by Stryker to be reminded who is running the outfit. The recruit who absorbs all of this venom the most is young Peter Conway (John Agar), whose father was Stryker’s Commanding Officer at Guadalcanal. The conventional man felt his son was too soft to be a Marine (he reads books and went to college) and the kid resents the particular interest Stryker is taking in his training. Even when Stryker saves Conway’s life when the kid is too busy reading a care for letter to inspect a live grenade gets loose during a training utilize, Conway refuses to point to gratitude. So in addition to their relationship and sergeant and private Stryker and Conway are playing out their enjoy familial relationship problems with each other as well.

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It is in battle that Stryker is at his best, blowing up a Japanese bunker to establish trapped Marines, and once he proves himself to be a warrior god his squad, now tested in battle, finally becomes a apt band of brothers. But “The Sands of Iwo Jima” has the elements of a Greek tragedy and at the moment of his apotheosis the hero must plunge. Adding insult to injury the blow comes from late and the shot of a bullet hole beneath Stryker’s stenciled name on the succor of his fatigues is even more grand than the reenactment of the raising of the second American flag on Mt. Surabachi.

This is not the best war movie of 1949; that honor goes to William Wellman’s “Battleground,” which remains one of the very best of the best in the World War II genre. Wayne was nominated for Best Actor, the only other time he was up for an Oscar besides “Legal Grit,” although he arguably gave a better performance that same year in his previous film “She Wore a Yellow Ribbon.” Despite the pair of strong performances by the Duke the Academy Award went to Broderick Crawford for “All the King’s Men,” but “Sands of Iwo Jima” remains Wayne’s best WWII movie and one of the few that stands up with his classic westerns.”

“The Sands of Iwo Jima” is arguably one of the greatest recruiting tools the US Marine Corps has ever had, and the image of John Wayne as tough as nails Sergeant John M. Stryker can serene be seen throughout the rapid. Yet Sergeant Stryker is a flawed man: a lousy husband, a negligent father, and a come alcoholic who has already been busted in unsuitable. His men dislike him, and he doesn’t care. His fate is nothing courageous. Sergeant Stryker is certainly a plucky man, an able squad leader, and pretty Marine, but he is not portrayed as John Rambo. John Wayne turns what could have been a cartoon character into something human and understandable.

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The movie has its flaws: broken-down supporting characters and a pointless romance. Yet, in its day, its battle scenes were praised for their realism. Despite the bashing John Wayne received recently for his WWII films glorifying war, “The Sands of Iwo Jima is serene one of the finest war movies ever made. Yes, there is blatant flag-waving, but how can you have a movie about Iwo Jima without the raising of the flag on Suribachi? Not only does this movie recreate that tale moment, but actually got the three surviving men, who did the true flag rising, to recreate it for the movie.
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